Prior to his disappearance, Herbert Crowley was an innovator at the dawn of comics, and a defining figure of the early 20th century avant-garde.
His illustrations were featured alongside work by Picasso, Matisse and Van Gogh in the 1913 Armory Show that gave birth to modern art in America. His newspaper strip THE WIGGLEMUCH was printed next to Winsor McCay's LITTLE NEMO IN SLUMBERLAND in the New York Herald. He had a close relationship with Carl Jung, and was a noted mainstay of the burgeoning NYC experimental art scene.
And yet he's been completely erased from history. Aside from a very small selection of his comics, none of his artwork has been published or collected in any form.
Until now. Over the course of six years of deep research, we have unearthed a huge number of Crowley paintings, sculptures, illustrations, comics, prints, engravings and ephemera.
Contained in this tome you'll find hundreds of jaw-dropping images of otherworldly shrines, whimsical cartoons, grotesque creatures, nightmares and dreamscapes. You will encounter impossible symbolism, encrypted glyphs, and the yearning visual poetry of a brilliant, tormented spirit.
Enter THE TEMPLE OF SILENCE, and behold the strange, astonishing visions of a lost legend of modern art. Prior to his disappearance, Herbert Crowley was an innovator at the dawn of comics, and a defining figure of the early 20th century avant-garde.
