*Shortlisted for the Pol Roger Duff Cooper Prize*
- A Times and Sunday Times Book of the Year
- A Wall Street Journal Book of the Year
- A Spectator Book of the Year
- A Times Literary Supplement Book of the Year
- A New Yorker Book of the Year
Some called it a craze. To others it was a cult. Join prize-winning historian Kathryn Hughes to discover how Britain fell in love with cats and ushered in a new era.
'He invented a whole cat world' declared H. G. Wells of Louis Wain, the Edwardian artist whose anthropomorphic kittens made him a household name. His drawings were irresistible but Catland was more than the creation of one eccentric imagination. It was an attitude - a way of being in society while discreetly refusing to follow its rules.
As cat capitalism boomed in the spectacular Edwardian age, prized animals changed hands for hundreds of pounds and a new industry sprung up to cater for their every need. Cats were no longer basement-dwelling pest-controllers, but stylish cultural subversives, more likely to flaunt a magnificent ruff and a pedigree from Persia. Wherever you found old conventions breaking down, there was a cat at the centre of the storm.
Whether they were flying aeroplanes, sipping champagne or arguing about politics, Wain's feline cast offered a sly take on the restless and risky culture of the post-Victorian world. No-one experienced these uncertainties more acutely than Wain himself, confined to a mental asylum while creating his most iconic work. Catland is a fascinating and fabulous unravelling of our obsession with cats, and the man dedicated to chronicling them.
