Growing up in Philadelphia, Neal was surrounded by Bebop music and writing. He culled inspiration and teachings from Ralph Ellison, Langston Hughes, and the leaders of the Harlem Renaissance.
After studying folklore at the University of Pennsylvania, Neal became a prolific poet and critic, and he served as the arts editor for the Liberator where he published many of his essays about art.
Neal encouraged artists to produce work that was not only politically engaged but also unapologetically rooted in the Black experience, and this message reverberated through African American literature, theater, music, and visual arts. He probed the notion of the Western art historical canon and challenged Black artists and writers to reshape artistic traditions.
Deeply invested in cultural and personal understandings of the artist's intentions and experiences, Neal argues that to properly create and critique a work of art one must invest in the history of the artist's culture.
