Performance Research - Volume 23, Issue 2: On Writing & Performance

Promotes interchange between scholarship and practice in the field of performance and emphasizes on contemporary performance arts within changing cultures.

On Writing & Performance: Editorial - Ric Allsopp & Julieanna Preston
Tracing the Essay in Contemporary Performing Arts - Jasper Delbecke
Performance as Text. Text as Performance: Love Like Salt, a collaboration between a writer and an artist - Jess Richards
Four castings [artist’s pages] - Julieanna Preston
Excerpts from the Library of Babel. A meditation on writing, electricity and ghosts - Ted Hiebert
Talking Text and Writing Extemporaneity. Aligning David Antin's talk performance and editorial practices - Ira S. Murfin
How We Talk About The Work Is The Work. Performing critical writing - Theron Schmidt
Performing Academia in Public Space in Turkey - Özgül Akinci
Colluding with Darkness - Tru Paraha
Crpyt-Poesis. Writing as performance archaeology - Sophie Sleigh-Johnson
In Praise of Doubt. Bringing sound studies to performance writing - Lynley Edmeades
Blast Theory’s Karen. Exploring the ontology of technotexts - Seda Ilter
Disrupting the Market in Echoes. Voice, body and technology in poetry and performance by Hannah Weiner and Holly Pester - Mark Leahy
The Feminist Possibility of Reader-as-Performer in Caroline Bergvall’s Goan Atom (1. Doll) - Sydney Tran
Notes On Caring Labours. Re-collecting performances of noticing in taking note(s)_performing care - Jen Archer-Martin
Rewriting Participation. Takuya Murakawa’s Everett Ghost Lines - Kai van Eikels
Astral Nomads. The way to the future - Yuliya Sorokina, Anar Eshmuratova & Laura Mussabekova
Towards Song. Re-shaping spoken lyric - John Hall & David Prior
Phantom Scripts. The censor’s archive and the phantom scripts of improvisation - James McLaughlin
WRITING upon DIRTY EDGES and CLEAN LINES - Lisa Munnelly
Autobiography: me, myself and you - Amaara Raheem
Thinking Circularly around Performance S/Objects - David Hall
Arts Archives. Introduction to ‘A Digital Essay On Performance’ - Peter Hulton