Nonhuman life impassioned every area of Warhol’s practice, beginning with his juvenilia and an unusually close creative collaboration with his mother, Julia Warhola. The pair codeveloped a transgressive animality that permeated Warhol’s prolific career, from his commercial illustration and erotica to his writing and, of course, his painting, installation, photography, and film. Grudin shows that Warhol disputed the traditional claim that culture and creativity distinguish the human from the merely animal and vegetal, instead exploring the possibility of art as an earthy and organic force, imbued with appetite and desire at every node. Ultimately, by arguing that nonhuman life is central to Warhol’s work in ways that mirror and anticipate influential texts by Toni Morrison and Ocean Vuong, Like a Little Dog opens an entirely unexplored field in Warhol scholarshi